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Exhibitions - Past Exhibitions

Art Reborn: Bringing New Brunswick’s Painted Heritage Back to Life

Image 1: Kenneth Keith Forbes (Canadian, 1892-1980), The Right Honourable Richard Bedford Bennett, Prime Minister of Canada (1930-1935), 1938, oil on canvas, Bequest of the Right Honourable Richard Bedford, Viscount Bennett, 1948 (1948.5)
Caring for a collection is a delicate balance between preservation and sharing.

Sometimes, treasured objects need a helping hand to ensure their survival and continued enjoyment by the public. Over the past three decades, the New Brunswick Museum has collaborated with the Provincial Fine Art Conservation Laboratory to conserve and restore significant works of art. Led by now-retired Fine Art Conservator of New Brunswick, Adam Karpowicz, this project has given new life to several paintings in our collection.

Time, materials, and circumstance can take a toll on a masterpiece. Varnishes yellow, glazes crack, and frames weaken, compromising the artist’s original intent. In some cases, accidents or poor handling can cause irreparable damage. The paintings featured here have all faced such challenges. But thanks to Adam Karpowicz’s expert conservation techniques, these works of art have been coaxed back to life. The before-and-after photographs on display are a testament to his skill and dedication. As you explore these transformed masterpieces, consider the importance of conservation in preserving our cultural heritage for future generations.

Image 1: Kenneth Keith Forbes (Canadian, 1892-1980), The Right Honourable Richard Bedford Bennett, Prime Minister of Canada (1930-1935), 1938, oil on canvas, Bequest of the Right Honourable Richard Bedford, Viscount Bennett, 1948 (1948.5)
Image 1: Kenneth Keith Forbes (Canadian, 1892-1980), The Right Honourable Richard Bedford Bennett, Prime Minister of Canada (1930-1935), 1938, oil on canvas, Bequest of the Right Honourable Richard Bedford, Viscount Bennett, 1948 (1948.5)
Image 10: Marion Elizabeth Jack (Canadian, 1866-1954), Apple Trees at Burton, New Brunswick, 1922-1930, oil on canvasboard, Gift of Catherine Coombes, 2008 (2008.27.1)
Image 9: Albert Gallatin Hoit (American, 1809-1856), John Adolphus Beckwith, 1837, oil on canvas, Gift of the Estate of Sir John Douglas Hazen, 1959 (1959.56)
Image 8: Albert Gallatin Hoit (American, 1809-1856), Mary Ann (Maria) Street Berton Beckwith, 1837, oil on canvas, Gift of the Estate of Sir John Douglas Hazen, 1959 (1959.57)
Image 7: John Christian Schetky (Scottish, 1778-1874), Battle of the Chesapeake and the Shannon, c. 1815, oil on canvas, John Clarence Webster Canadiana Collection (W1609)
Image 6: Michael Anderson (Scottish or Canadian, 1824-1853), Aaron and Hur Staying Up the Hands of Moses during the Battle with the Amalekites at Rephidim, 1850, oil on canvas, Purchase, 1958 (A58.30)
Image 5: Artist Unknown (American School), Bark Mary Rideout of St. Andrews, N.B., 1868, reverse-painted oil on glass, Purchase, 2010 (2010.36)
Image 4: John Thomas Stanton (Canadian, c. 1815-1866) after Richard Wilson (British, 1713-1782), The Ruined Temple, 1856, oil on millboard, Purchase, 2004 (2004.13)
Image 2: John Christopher Miles (Canadian, 1832-1911), Woodland Fishing Scene with Boy, c. 1880, oil on canvas, Gift of Kenneth Allison Wilson, 1954 (1954.165)
Image 3: Attributed to Thomas Hanford Wentworth (American, 1781-1849), Portrait of an Unidentified Man (Possibly Charles Humphrey), c. 1835, oil on canvas, New Brunswick Museum Collection (X16481)