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Ocean Crossings: How a Scottish Bedcover Found a Home in New Brunswick

In 1961, an unusual bedcover arrived at the New Brunswick Museum.
Original Article by Peter Larocque
Curator of New Brunswick Cultural History and Art, New Brunswick Museum

What seemed at first to be a simple floor covering would eventually reveal itself as a rare cultural treasure that crossed oceans and generations—connecting Scottish craftsmanship with New Brunswick’s immigrant history through techniques nearly lost to time.

A unique embroidered counterpane (or bed rugg) in the New Brunswick Museum’s collection has a fascinating history that spans two continents. Originally donated as a floor covering by Margaret Keay and Janet Keay in 1961, its real function as a bedcovering was explained in the early 1970s when it was included in an exhibition on American bed ruggs at the Wadsworth Athaneum in Hartford, Connecticut. It was also featured on a Canada Post stamp in 1993.

Dr. Carol Christiansen, Curator and Community Museums Officer at the Shetland Museum and Archives, in her latest book, Taatit Rugs: the Pile Bedcovers of Shetland (published in 2015 by Shetland Amenity Trust – ISBN 978-0-9932740-4-6) features this unusual New Brunswick Museum artifact. The counterpane’s unusual production method – a double-looped embroidery with a short pile rather than the more common hooking – makes it a unique survivor among the New Brunswick Museum’s extensive bedding collection.

Dr. Christiansen’s research on the “heavy woollen woven bedcover (rug) to which threads (taats) have been applied” led her to this wonderful early example. Her interest has greatly expanded our understanding of the complex histories associated with heritage objects and has provided a revealing glimpse of Scottish immigration to the province.

At the time of the counterpane’s donation to the New Brunswick Museum, it was said to have been used by a Hutchison family of the Miramichi region of New Brunswick. Further inquiry revealed that the great-aunt of the donors was Elizabeth Stuart (Stewart) Mackie (c. 1817-1867) who married Richard Hutchison (1812-1891) of Douglastown, New Brunswick, on 20 March 1843. Richard Hutchison was born in Glasgow, Scotland, and immigrated to New Brunswick in 1826. Elizabeth Stuart Mackie is said to have been born in Aberdeen, Scotland – her father was Alexander Mackie (c. 1781-1858) a native of Leith who had lived in Aberdeen and his wife, Elizabeth Stuart (Stewart) (c. 1782-1854). The 1851 census indicates that they had immigrated to New Brunswick in 1832.

Though not conclusive, this certainly gives our bedcovering a very strong likelihood of originating in Scotland and it significantly enhances the New Brunswick Museum’s ability to represent and discuss aspects of cultural transfer in the mid-19th century in the province.

Provenance

Used by the Hutchison family of Douglastown, New Brunswick
Probable line of family descent:

  • Richard Hutchison (1812-1891) and Elizabeth Stuart Mackie Hutchison (c. 1817-1867)
  • to her sister, Alexina Stuart Mackie Keay (1831-1909) and her husband, Reverend Peter Keay (1826-1873)
  • to their son, Richard Hutchison Keay (1864-1944) and his wife, Ada Margaret Fraser Keay (1871-1957)
  • to their daughters, Alexina Margaret Keay (1904-1987) and Janet Elder Keay (1913-2000)] Gift of Margaret Keay and Janet Keay, 1961 (1961.42) Collection of the New Brunswick Museum
Image 1: Counterpane (taatit rug or bed rugg), maker unknown (probably Scottish), 1800-1850 - Full view showing the entire embroidered wool counterpane on tabby weave wool, 221 x 157.5 cm
Image 3: Macro detail of textile structure - Showing the short pile and tabby weave wool ground fabric that distinguishes this piece from more common North American hooked rugs