Temporary Exhibitions


Subject to change

Fragments of humanity. Archaeology in Québec

Ongoing: Fragments of humanity. Archaeology in Québec is the first major exhibition entirely dedicated to Québec’s archaeology, and it celebrates 50 years of archaeological discoveries in Québec. Two hundred important pieces are included. Chosen from among work in collections and artefacts found in archaeological digs on more than 10,000 sites throughout Québec, these objects reflect and recount Québec’s past and uncover a remarkably diverse territory. The exhibition includes several items from the archaeological holdings of the Department of Culture and Communications of Québec (MCCQ) displayed for the very first time.

Created by Pointe-à-Callière, an archaeological and historical museum in Montreal, the exhibition also features objects on loan from nearly a dozen other sources, such as the City of Montréal, the City of Québec, Pointe-du-Buisson Québec Museum of Archaeology, Avataq Cultural Institute, and Parks Canada.

The exhibition brings to life the events and ways of life behind these fragments of humanity. Each piece, in its own way, reveals a different aspect of Québec’s heritage. Arranged both chronologically and thematically to highlight the rich and varied archaeological collections of Québec, the exhibition is divided into four parts: ancient stories, a land of trade and commerce, chronicles of everyday life, and stories from the depths.

‘Fragments of humanity. Archaeology in Québec’ was organized by Pointe-à-Callière in collaboration with the Department of Culture and Communications of Québec. A financial contribution for this exhibition has been given by the Government of Canada.

Music of the Eye II: Architectural Drawings of Saint John and Its Region

Ongoing: An exhibition celebrating Saint John’s architectural heritage, curated by Gary Hughes, NBM Curator of History and Technology.

The city of Saint John, as we know it, was built as a response to the arrival of over 15,000 American Loyalists in its harbour in 1783, refugees from the American Revolution. Two years later the city was incorporated, its charter based on that of New York from whence they had sailed. The infant city was favourably located at the mouth of the St. John River which stretched into the hinterland for 300 miles where in the next three decades a large timber shipping industry was established. This later gave life to shipbuilding.

Wood was therefore a common factor in house construction, most of it resulting in the 2 ½ storey Pitch roof colonial style familiar on Long Island, New Jersey and New York. Indeed the latter influenced the placement of second floor windows tight against the roofline. A few with means preferred the hip roof and the gambrel style was also known. After the War of 1812 a new element harkened change – British immigration, especially the Scots thought in stone not wood. John Cunningham was its most influential proponent designing two neoclassical villas, a town house and a county court house in the late teens and early 1820s. Before his departure to Boston at mid-century, Cunningham had dabbled in the early Victorian Gothic and his successor, in every sense, English born Matthew Stead continued this approach. Stead too was attracted to the pointed arch and Gothic styling as well as the Italianate for domestic work but here again American influence came to play, notably the designs of theorist and author Andrew Jackson Downing. Typically it was church commissions more than housing that exerted a British influence, particularly the Anglican neo-Gothic 14th century movement from the mid-century period on. Stead was active in both this and later Victorian styles such as the Second Empire and commercial Italianate.

The Great Saint John Fire of June 20, 1877 destroyed two thirds of the city and it was rebuilt by an army of architects, many from south of the border but others from the city who had earned their stripes in building design from the 1860s on.  They competed effectively for commissions in this crowded milieu as a great exhibition of brick and stone buildings was installed in the city centre and its south end. Queen Anne and Romanesque styling dominated the late 19th and early twentieth centuries as signs of an early Modernism appeared.  In one instance this took the form of repeated stories under a roofline and towers coated alternatively in Gothic and Second Empire styling for a proposed city hall in 1911. Ultimately some of these historical coatings would disappear as the century progressed.

Financial support for this exhibition has also been graciously given by the Architect’s Association of New Brunswick, and Royal Architectural Institute of Canada.

A Circle of Life

Ongoing: Donald McGraw, originally from Pokemouche, NB, has been working as a representational artist since the early 1970s.  In 2001, he envisioned a group of paintings that would acknowledge the presence and survival of Indigenous people who have inhabited, since time immemorial, this territory now known as New Brunswick.  His meticulous efforts resulted in twelve portraits of Indigenous chiefs from communities around the province.  Throughout his travels on this epic journey, McGraw saw immense pride of identity and gained a deeper understanding of the shared relationships among, people, nature and spirit. This suite of works, A Circle of Life, is McGraw's respectful tribute, as an Acadian, in honour of all the compassion and friendship that has been offered by Indigenous people for more than four centuries.

Fort La Tour National Historic Site

Ongoing: Visit the display on Fort La Tour National Historic Site. Menahgesk – Fort Sainte-Marie (Fort La Tour) – Portland Point is located on the shore of today’s Saint John harbour. It has a long history of human activity and occupation. Archaeological evidence shows that for at least 4000 years Indigenous people made use of the area for ceremonies, gathering and trade. It was an important terminus for the portage around the dangerous mouth of the Wolastoq (Saint John River).
Its strategic importance was recognized by early French settlers. In 1631, Charles de Sainte-Etienne de La Tour built Fort Sainte-Marie, a fortified trading post, to control access to the rich inland resources. The site bore witness to many confrontations for authority in Acadia between Charles de Menou d’Aulnay de Charnisay and La Tour. In April 1645 the fort faced its final battle - Françoise Marie Jacquelin, La Tour’s wife, defended it for three days before surrendering. Eventually, the fort was abandoned for a new one across the harbour.
In the 1760s, a consortium of traders, Simonds, Hazen and White, established Portland Point, a settlement on the site. Their trading post proved essential in meeting the needs of thousands of loyal British refugees who arrived in 1783 after the American Revolution. Later uses of the locale included shipyards and a nail factory. Today, we remember this national historic site for the diversity of its cultural associations and its significant impact on the heritage of the region.

Artists See Architecture

Ongoing: Visit the Artists See Architecture display in the NBM foyer. Everything in sight and imagination can become an artist’s subject. Focused views of individual building; clustered houses rendered while looking out from the inside; and constructions in miniature provide new perspectives on the architecture that we encounter each day. This selection of works by New Brunswick artists from 1876 to 1966 shows the changing approaches to depicting the structures in which we live and work.
This display is a glimpse of the subject of the upcoming exhibition Music of the Eye II: Architectural Drawings of Saint John and Its Region. Stay tuned for further details on the exhibition opening.

The Franklin Exploration

Ongoing: Franklin Museum Network Pop-Up Exhibit – The Franklin Exploration at the New Brunswick Museum.
Led by Parks Canada and the Royal Ontario Museum, the Franklin Exploration Pop-up Exhibit highlights the story of the expedition as well as the discovery of HMS Erebus.  This three year national project will share the story of the Franklin Expedition and its discovery through displays, video and public programmes.
The Franklin Expedition has fascinated generations of Canadians. Last seen entering Baffin Bay in August 1845, the disappearance of the Franklin Expedition’s two ships HMS Erebus and HMS Terror remains one of Canada’s greatest mysteries 170 years later. 




Temporary Exhibition Dates subject to change.